Our Sales Review Editor

The spring issue of the Blake Quarterly will mark the debut of Mark Crosby as sales review editor; Mark...

Remembering Morris

Recollections and appreciations of Morris Eaves from colleagues, friends, and the Blake community.

"Then patient wait a little while": Blake Comes to the Getty

The Blake Archive recently published “The Phoenix to Mrs. Butts,” and it occurs to me that this post deserves...

A Conversation with Helen Bruder

This interview was conducted by Elizabeth Effinger, who has edited and condensed it for publication. It will also appear...

Antipodean Blake

The cover of our spring 2023 issue (vol. 56, no. 4) features a map of Australia, with the states...
Blake Quarterly
Our Sales Review Editor
Uncategorized
Remembering Morris
Blake Quarterly
"Then patient wait a little while": Blake Comes to the Getty
Blake Quarterly
A Conversation with Helen Bruder
Blake Quarterly
Antipodean Blake
Blake Quarterly

“Then patient wait a little while”: Blake Comes to the Getty

The Blake Archive recently published “The Phoenix to Mrs. Butts,” and it occurs to me that this post deserves the title “The Phoenix to Mr. Getty,” since it concerns an exhibition that has been longer in the making than anyone could have anticipated. Next month, the Getty Center in Los Angeles will unveil William Blake: Visionary, postponed from 2020, when it was scheduled after the show at Tate Britain.

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Blake Quarterly

Antipodean Blake

The cover of our spring 2023 issue (vol. 56, no. 4) features a map of Australia, with the states and largest territory represented by details of works by Blake. The puzzle is to discover the link between the image and the state/territory in each case.

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BAND, Digital Humanities, Uncategorized

The Mystery and Magic of Photo Processing

I’m lucky enough to have some hidden skills in Adobe Photoshop, and they’ve become quite useful every now and again on the Blake Archive. Photos of manuscripts, though high resolution, still present visual challenges when it comes to identifying near-invisible features like erasures, corrections, and other odd quirks. And while we’re trained to be extremely observant and thorough when analyzing a manuscript, the magic of image-processing software can give us an advantage.

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BAND

Reflections

My name is Esther and I’m an undergraduate student working for the William Blake Archive. I joined in January of this year. At first, I was working on the transcription for bb35.1.1 and bb35.1.2 of The Everlasting Gospel. After it was decided that the transcription didn’t have a place on the website right now, I transferred over to helping maintain the site’s collection lists.

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