Evaluating Color in Heaven and Hell

Majoring in both English Literature and Computational Linguistics and enrolling in Linear Algebra for my personal pleasure, my...

Songs of Instruments and Entrancement: BAND's Summer Hits

With a hearty batch of letters now up on the site and just a few remaining weeks of summer...

Publication: Letters 1791-1827

The William Blake Archive is pleased to announce the publication of digital editions of our third installment of Blake’s 95...

Blake Quarterly (summer 2019)

Today sees the publication of our summer issue (vol. 53, no. 1).

Vetusta Monumenta Digital Edition Launching Soon

from Noah Heringman On June 24, the Alliance for Networking Visual Culture (USC) together with the Society of Antiquaries...
BAND
Evaluating Color in Heaven and Hell
BAND
Songs of Instruments and Entrancement: BAND's Summer Hits
Publications, Uncategorized
Publication: Letters 1791-1827
Blake Quarterly
Blake Quarterly (summer 2019)
Uncategorized
Vetusta Monumenta Digital Edition Launching Soon
BAND

Evaluating Color in Heaven and Hell

Majoring in both English Literature and Computational Linguistics and enrolling in Linear Algebra for my personal pleasure, my undergraduate career is best described as idiosyncratic. Creating a project through the Blake Archive presented me with an abundance of options at the intersection of my two major fields but I decided to experiment with a realm I am less than familiar with: color theory.

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BAND

Songs of Instruments and Entrancement: BAND’s Summer Hits

With a hearty batch of letters now up on the site and just a few remaining weeks of summer stretching before us, BAND has eased into a temporary state of repose. Our office is a little quieter, our meetings are a little shorter, and our work schedules— briefly unhindered by semester stressors and publication deadlines— allow for longer gazes outside the office window and, if we’re emboldened by our beloved office neighbor’s closed door, music.

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Publications, Uncategorized

Publication: Letters 1791-1827

The William Blake Archive is pleased to announce the publication of digital editions of our third installment of Blake’s 95 known letters. The latest 28, drawn from nine collections, span nearly the entire chronological range of Blake’s correspondence from 1791 to 1827, the year of his death. Three of this group are by Blake’s correspondents—included here because of especially tight connections with their associated documents. (Those pairs are 18 October [Reveley] and October 1791 [Blake]; 23 September [Blake] & September 1800 [Butts]; 18 December [Cumberland] and 19 December 1808 [Blake].)

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Q&A

Q&A with Ramazan Saral

A few months ago the Blake Quarterly got its first subscriber from Turkey (at least in my memory). Ramazan Saral is pursuing a doctoral degree in the Department of English Language and Literature at Ege University in İzmir. His review of Vahiy Kitapları [Prophetic Works], trans. Kaan H. Ökten, will appear in our summer 2019 issue. He kindly agreed to answer a few questions about his love of Blake.

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Q&A

Guest Post/Poet: S. Yarberry Interviews S. Brook Corfman

This post is the second in a series of interviews by S. Yarberry—the first was with Aditi Machado. S. approached us with the idea of interviewing poets about Blake and his infuence on their work: “I’m interested in bridging contemporary poetry with the academic study of Blake—academia and creative circles sometimes sit so far apart that we forget how much common language we have.” The interview has been lightly edited for style. Bios. are at the end of the post.

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BAND

How to say that a work lacks binding

At the William Blake Archive, we rely heavily on precedent when making important editorial decisions. In other words, when unsure what to do about a certain metadata field or how to deal with something unusual in the textual transcription for a given work, we check to see what we did in similar situations in previously published works.

For example, when working on Blake’s letters, I needed a review on how to handle the textual transcription for lines with lots of cross-outs and overwrites.

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Publications

Publication: New Exhibitions Added

The William Blake Archive is pleased to announce the republication of our Blake Biography and essay on Illuminated Printing as digital exhibitions, an ideal form for such extensively illustrated works. They join our recently published first installment in this new wing, the multi-gallery presentation of Blake’s painting and engraving of Geoffrey Chaucer’s Canterbury pilgrims. They can be accessed through our About Blake section or Archive Exhibitions, lower left and upper right, respectively, on the Archive’s home page. 

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BAND, Digital Humanities

A Watermark Mystery

Sometimes in archival work, you find yourself on these “side quests,” tracking down a paradoxically indispensable yet trivial bit of information. Such a quest came up after the last round of receipt proofing. A member of the Archive noticed that a handful of the receipts had watermarks with a range of visibility. Receipt number 26 had a particularly faint watermark that evaded straightforward identification. As this information—when present—is typically included in the publications, it was necessary to figure out if this watermark was visible enough to describe.

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