This obituary is by Morton D. Paley, co-editor of Blake/An Illustrated Quarterly.

Photograph by Lars Beggren

My dear friend Professor Bo Ossian Lindberg died on July 4, 2021, after a long illness. A professor of art history at Åbo Akademi (Finland) who had also taught at Lund University (Sweden), Ossian permanently changed the face of Blake studies with his study of the Job illustrations. Because it had been issued as a printed doctoral dissertation (Åbo Akademi, 1973)—​printed, but not published—​it was neither advertised nor sent out to journals for review. Yet when approached by scholars such as Martin Butlin and myself, university presses in the UK and USA declined to publish it because it was already in print! In 1974, when we first met, Ossian told me that seven copies had been sold. However, it gradually was recognized as revolutionary, like all great works of scholarship.

Although it’s difficult to isolate any part of its rich exposition from the whole, two of its distinctive characteristics are the presentation of a large section of its text in the form of a catalogue and its application of the Warburgian conception of pathos-formula to the Job designs. In reviewing it, G. E. Bentley, Jr., wrote:

I conclude that Mr. Bo Lindberg’s dissertation on William Blake’s Illustrations to the Book of Job is the best dissertation I have ever examined, one of the two or three best I have ever read, and one of the half dozen most important books on Blake’s art. Every responsible Blake scholar must read it. It is a work of the highest distinction. We are all indebted to Mr. Bo Lindberg.

Continuing his passionate engagement with Blake’s art and poetry, Ossian published articles and reviews in Blake, a short, updated discussion of the engravings in the great Blake Trust edition of Job, and the chapter on Sweden and Finland in The Reception of William Blake in Europe. The festschrift published in his honor reflects the depth and diversity of his scholarly interests. He was also a richly inventive painter, whose imaginative cycle on the life of Blake in the Turku Art Museum (Finland) has been documented in Blake and whose other works, such as the one reproduced here, indirectly but unmistakably reflect Blake’s influence. In both writing and painting, his was the hand of Los.

The Minerva Owl by Bo Ossian Lindberg, interior wall painting in Åland. Acrylic. Reproduced courtesy of Tia Itkonen.

Select Bibliography

Bentley, G. E., Jr. Review of Bo Lindberg, William Blake’s Illustrations to the Book of Job. Blake 8.4 (spring 1975): 125-26.

Bindman, David. “Blake and Ossian.” Songs of Ossian: Festschrift in Honour of Professor Bo Ossian Lindberg. Ed. Åsa Ringbom and Renja Suominen-Kokkonen. Taidehistoriallisia tutkimuksia 27. Helsinki: Taidehistorian seura, 2003. 3-7.

Lindberg, Bo Ossian. “Blake’s Reception in Sweden and Finland.” The Reception of William Blake in Europe. Ed. Sibylle Erle and Morton D. Paley. 2 vols. London: Bloomsbury Academic, 2019. 2: 437-51.

__________. “The Meaning of Blake’s Job.” William Blake’s Illustrations of the Book of Job. Ed. David Bindman. London: William Blake Trust, 1987.

__________. Review of David Bindman and Simon Baker, William Blake 1757–1827 [catalogue of the exhibition at the Helsinki City Art Museum, 11 April–25 June 2000]. Blake 35.4 (spring 2002): 132-35.

__________. Review of Robert N. Essick, William Blake, Printmaker. Blake 15.3 (winter 1981–​82): 140-48.

__________. Review of Carl-Johan Malmberg, Stjärnan i foten. Dikt och bild, bok och tanke hos William Blake. Blake 48.3 (winter 2014–15): 14 pars.

__________. William Blake’s Illustrations to the Book of Job. Åbo: Åbo Akademi, 1973.