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Today sees the publication of our latest issue, fall 2020 (vol. 54, no. 2), which will be open access until the end of the month.
Continue readingOur sizzling summer 2020 issue—vol. 54, no. 1—is out today and, as usual, will be open access until the end of the month.
Continue readingThis remembrance is by Vera Serdechnaia, Candidate of Philology, Krasnodar (Russia). Vera is academic editor at the Analitika Rodis publishing house and a theatre critic. It will also appear in our summer 2020 (vol. 54, no. 1) issue.
Continue readingThe spring 2020 issue (vol. 53, no. 4) of the Blake Quarterly is now online and open access until the end of April.
Continue readingThe Tate Blake exhibition closed its doors in February and the many works on display are presumably now all safe and sound at their home institutions. At the Blake Quarterly I’ve been consulting the exhibition catalogue and referring to installation photos in the process of laying out Luisa Calè’s review for our upcoming spring 2020 issue.
Continue readingClicking the button that says “Publish” never gets old, and today I did that for our winter 2019-20 issue (vol. 53, no. 3). It will be open access until the end of January.
Continue readingThis memorial note is by Kenneth Gross, who teaches English at the University of Rochester. His books include Spenserian Poetics: Idolatry, Iconoclasm, and Magic; The Dream of the Moving Statue; Shakespeare’s Noise; Shylock Is Shakespeare; and Puppet: An Essay on Uncanny Life. It will also appear in the winter issue of the Blake Quarterly.
Continue readingToday we publish our autumn issue (vol. 53, no. 2). It will be open access for a week before it becomes subscription based.
Continue readingThis post is the third in a series of interviews by S. Yarberry—the others were with Aditi Machado and S. Brook Corfman. S. approached us with the idea of interviewing poets about Blake and his infuence on their work: “I’m interested in bridging contemporary poetry with the academic study of Blake—academia and creative circles sometimes sit so far apart that we forget how much common language we have.” The interview has been lightly edited for style. Bios. are at the end of the post.
Continue readingThe British Association for Romantic Studies (BARS) held its biennial conference (Romantic Facts and Fantasies) at the University of Nottingham in late July (@BARS2019). The International Conference on Romanticism (@ICRMCR2019) at the University of Manchester and the North American Society for the Study of Romanticism meeting (@2019Nassr) at the University of Illinois at Chicago followed in quick succession.
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