“I again display my Giant forms to the Public”: Q&A with Tate Britain
30 March 2020
The Tate Blake exhibition closed its doors in February and the many works on display are presumably now all safe and sound at their home institutions. At the Blake Quarterly I’ve been consulting the exhibition catalogue and referring to installation photos in the process of laying out Luisa Calè’s review for our upcoming spring 2020 issue.
Continue reading