Our Sales Review Editor

The spring issue of the Blake Quarterly will mark the debut of Mark Crosby as sales review editor; Mark...

Remembering Morris

Recollections and appreciations of Morris Eaves from colleagues, friends, and the Blake community.

"Then patient wait a little while": Blake Comes to the Getty

The Blake Archive recently published “The Phoenix to Mrs. Butts,” and it occurs to me that this post deserves...

A Conversation with Helen Bruder

This interview was conducted by Elizabeth Effinger, who has edited and condensed it for publication. It will also appear...

Antipodean Blake

The cover of our spring 2023 issue (vol. 56, no. 4) features a map of Australia, with the states...
Blake Quarterly
Our Sales Review Editor
Uncategorized
Remembering Morris
Blake Quarterly
"Then patient wait a little while": Blake Comes to the Getty
Blake Quarterly
A Conversation with Helen Bruder
Blake Quarterly
Antipodean Blake
BAND, Digital Humanities, Uncategorized

Why we should be talking more: office chat and DH

When I look back over many of the most recent blog posts—Rachel’s about how to use notes with a sense of audience, Oishani’s about Blake’s quirky punctuation, my own about the differences between red wax seals and wafers, and other posts from the past several months—I am not surprised to realize that many of these posts began in the William Blake Archive office as informal conversations about digital editing. I remember Oishani asking my input about how to encode a period under a superscript, and I recall spending the better part of an hour with Laura and Lisa discussing why and how we decide that a letter is sealed by wax or wafer. These conversations are illustrative of one of the greatest benefits of digital humanities projects: the opportunity to collaborate and work with a team of scholars from a variety of backgrounds.

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Blake Quarterly, Publications

Publication Announcement – First 2.75 volumes of Blake/An Illustrated Quarterly published from 1967-69

In 2014 the William Blake Archive added a new wing devoted to searchable HTML and PDF editions of back issues of Blake/An Illustrated Quarterly, beginning with issues from the years 2000-2009. In 2015 we added the forty issues from 1990 to 2000 and five issues published since 2010. Earlier this year we announced the publication of the quarterly’s forty issues from 1980 to 1990. Today we are pleased to publish the first two volumes and three issues of the third volume, 1967-69, of what began as the Blake Newsletter—$2 for four issues.

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Blake Quarterly

The Blake Quarterly at 50

50The upcoming volume year is our fiftieth, an anniversary that seems perversely inevitable given Morton Paley’s words in the first issue of 15 June 1967: “I think the Newsletter should be just that—not an incipient journal.” That issue included a report on the rediscovery of the Small Blake-Varley Sketchbook and solicited opinions on the dating of the two Nights the Seventh in The Four Zoas.

Morton has been the editor since the beginning, and Morris Eaves for almost that long. Thanks to them and to all those who have contributed and given support, we have reached a milestone that we intend to celebrate in our usual small but mighty fashion.

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BAND, Uncategorized

Focusing on Audience: How Notes can Help!

Recently, Oishani posted about the different choices scholars have made in their transcriptions of the “quirky” punctuation in Blake’s receipts. Currently, the protocol has been to attach a note to the specific line of the transcription in which these punctuation discrepancies occur. However, as Oishani points out, though Bentley and Keynes do not treat punctuation systematically, we still have many nearly identical notes about minute differences in punctuation. What is the importance in noting these differences? Should we focus on punctuation in the receipts on a larger scale? Oishani ends her post asking us to consider if it would be more useful to have individual notes on each of the receipts, or to have a set of notes that covers the entire set of receipts and discusses recurring issues like punctuation in detail?

 

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Blake Quarterly

Curating a Blake exhibition: Part 2

Part 1 of Michael Phillips’s description of organizing the Ashmolean Blake exhibition of 2014–15 appeared last week. Here is the continuation.

SJ: Once you had the framework of Blake as apprentice and master, how did you determine which other works you wanted to include? What came next?

MP: First I needed to see the galleries that would be used for the exhibition. I also needed to obtain a floor plan to use at home to be able to check the wall space available for hanging exhibits and the floor space available for display cases.

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Uncategorized

Details, Disagreements, and Decisions

While finishing up work on a set of Blake’s letters from the Westminster Archives, I ran across a question that has made me a minor expert on a very minor piece of history: the difference between wafers and wax seals in nineteenth-century England. My curiosity about the difference in these two methods of sealing letters came about when I encountered the following seal on Blake’s Letter to Mr. Butts, 10 January 1802:

Screen Shot 2016-05-25 at 8.54.25 AM

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