Our Sales Review Editor

The spring issue of the Blake Quarterly will mark the debut of Mark Crosby as sales review editor; Mark...

Remembering Morris

Recollections and appreciations of Morris Eaves from colleagues, friends, and the Blake community.

"Then patient wait a little while": Blake Comes to the Getty

The Blake Archive recently published “The Phoenix to Mrs. Butts,” and it occurs to me that this post deserves...

A Conversation with Helen Bruder

This interview was conducted by Elizabeth Effinger, who has edited and condensed it for publication. It will also appear...

Antipodean Blake

The cover of our spring 2023 issue (vol. 56, no. 4) features a map of Australia, with the states...
Blake Quarterly
Our Sales Review Editor
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Remembering Morris
Blake Quarterly
"Then patient wait a little while": Blake Comes to the Getty
Blake Quarterly
A Conversation with Helen Bruder
Blake Quarterly
Antipodean Blake
Publications

Publication: TIRIEL Manuscript & Designs

The William Blake Archive is pleased to announce the publication of digital editions of the manuscript and the designs for Blake’s Tiriel.

The ManuscriptTiriel (c. 1789) comprises a manuscript of fifteen pages of eight numbered sections plus three sketches and twelve known finished drawings (three untraced since 1863). Most of the drawings are more or less clearly related to passages in the manuscript. Originally, Blake may have planned to engrave the writing and the illustrations or a selection of them and assemble the two in a set sequence—with or without a publisher. Alternatively, he may have envisioned a typographic work with engraved illustrations. But he never saw the project through to completion, and the materials are now dispersed.

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Publications

Publication: JERUSALEM Copy F

The William Blake Archive is pleased to announce the publication of a digital edition of Jerusalem The Emanation of The Giant Albion Copy F, from the Morgan Library and Museum. Jerusalem is Blake’s masterpiece in illuminated printing, consisting of 100 relief and white-line etchings divided into four chapters. It is his longest illuminated book and its plates are among his largest, at approximately 22.5 x 16 cm. Though dated 1804 on its title plate, it was not printed in its entirety until c. 1820. Sixty plates may have been completed by 1807; a few examples were exhibited in 1812. The printing of 1820 produced Copies A, C, and D. In the next year, Blake printed Copies B (chapter 1 only, Plates 1-25) and E. Blake printed Copy F in 1827. Copies H-J are posthumous. Most lifetime copies have hand tinting in gray or black, but only Copies B and E are colored. There are two arrangements of the plates in chapter 2, early (Copies A and C) and late (Copies D and E).

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Blake Quarterly

A Last Hurrah

Our last hurrahs are like singers’ farewell tours—they tend to come around again next year—but this is a farewell to our fiftieth volume, which officially ends on 30 June, even though we have already published all four issues.

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Publications

Blake Quarterly 1970s Added to the Archive

In 2014 the Blake Archive added a new wing devoted to searchable HTML and PDF editions of back issues of Blake/An Illustrated Quarterly. Today’s publication—all 40 issues from the 1970s—is the final big installment of the Archive’s ongoing project of making freely available, and fully searchable, over four decades of the journal, thus making public some of the most important scholarly work done in Blake studies over the past half century.

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BAND

Four Zoas: Glimpsing the Summit

I suppose the mountain-climbing analogy makes sense — climbing mountains is hard. For anyone with even a fleeting familiarity with this particular Blake manuscript, the difficulty of the Four Zoas is readily apparent. Reading it is hard. Editing it is, perhaps, futile. But we try. And even in our failures do we learn.

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Blake Quarterly

The Fortunate “Un-“fortunate in BIQ Wordlists

While still working through the S-Z wordlist of potential misspellings in Blake/An Illustrated Quarterly, I have found myself amidst a list of “Un-” vocabulary. Almost exactly a year ago, I reflected on the isolation of “self” and its implications as I remediated words that required a hyphen, separating “self” from terms like “alienation,” “complicating,” “defeating,” and “deluding” by adding a hyphen that the OCR had mistakenly removed. And now that I’ve reached the end of my list, I reflect again on what this work teaches me about William Blake scholarship, and about language more generally.

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BAND

BAND: A Healthy Difference in Academic Work

This week was my first week back in The William Blake Archive offices in over a month having taken a hiatus from work in order to study and take my PhD qualifying exams. This was the longest break I have had away from the archive since starting graduate school, and the first day back in the office helped me appreciate the healthy difference between my archive work and my research work.

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