Category

XML

BAND, XML

Once More Unto the Breach, Dear Friends

We’ve blogged a few times about our progress with the Four Zoas encoding project, mostly recounting our efforts to develop a more flexible and dynamic schema as well as create an experimental display that takes advantage of our new XML elements. This progress has been slow but steady, and after a rigorous round of development focusing on a single difficult object, we’re ready to test our work across more objects and expand the schema to incorporate more textual features.

So as a theatrical monarch once said, “once more unto the breach, dear friends, once more.” Except, I can promise it will be more than just once

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BATS, XML

Is That a Rock or a Severed Head? Creating Textual Tags for Blake’s Pen and Ink Drawings

The William Blake Archive recently published seventeen pen and ink drawings by Blake that span the majority of his artistic career. As one of the art historians on staff at the WBA, I was tasked with the responsibility of creating XML documents to accompany each of the works—files that we call Blake Archive Documents or BADs. These BADs are incredibly important as they include not only textual descriptions of the drawings but also tagged search terms, which enable the new drawings to be plugged into the existing search function of the WBA.

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Digital Humanities, XML

DHSI and the Four Zoas: Part 1

In June, I went to the Digital Humanities Summer Institute (DHSI) in Victoria, BC. I have a whole other post in my head about the ferry journey from Seattle to Victoria (beautiful!), the fish tacones at Red Fish Blue Fish (delicious!) and the nineteenth-century architecture of the city (magnificent!), but for now I’ll stick to the subject at hand: encoding the Four Zoas.

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BAND, XML

A Golden Sentence: marginalia and the new tag set


One of the goals of Team Color Code (sidenote: this is the small group of BAND assistants who are working on The Four Zoas. We’re affectionately known as TCC, which is a name that made sense in our early days and even though it no longer does, it has stuck) is to create a schema that can also be used to tackle transcription and display problems in other works. We’ve always known that the heavily-revised pages of Blake’s Notebook would benefit from an expanded tag set, but I’m starting to come across more and more works that could also use some of the elements that we’re developing in Team Color Code meetings.

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BAND, XML

OK With Unclear: Transcribing Difficult Texts

In Rochester, we get a little caught up with transcription practices. It’s not [entirely] our fault. The Blakeians at UNC-Chapel Hill focus on Blake illustrations while the manuscript/language stuff gets sent up north. Blake’s often mystifying script surrounds us, and we have been charged (by God, sure) to transcribe our way out, into the promised land of textual clarity.

During this process, we think unreasonably hard about impossibly small details. Is that a period or a comma? (What is our policy on commas again?) Is that “d” really there? Am I seeing things? Wait, or did I read it?

If you ever wanted to bridge the gap between punctuation and existentialism, textual editing may be for you.

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