Blake Quarterly (spring 2021)
22 April 2021
Today sees the publication of vol. 54, no. 4 (spring 2021). It will be open access until the end of April.
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Today sees the publication of vol. 54, no. 4 (spring 2021). It will be open access until the end of April.
Continue readingRecently I saw a message from university advancement that mentioned a “gift burst,” whereupon I resolved to label our next publication announcement an issue burst. I’m imagining celebratory confetti fluttering down as we release our winter issue (vol. 54, no. 3) online today. As ever, it will be open access until the end of the month.
Continue readingThis post is by Alexander S. (Sandy) Gourlay. It is adapted from his foreword to Prophetic Character: Essays on William Blake in Honor of John E. Grant (West Cornwall, CT: Locust Hill P, 2002).
Continue readingToday sees the publication of our latest issue, fall 2020 (vol. 54, no. 2), which will be open access until the end of the month.
Continue readingOur sizzling summer 2020 issue—vol. 54, no. 1—is out today and, as usual, will be open access until the end of the month.
Continue readingThis remembrance is by Vera Serdechnaia, Candidate of Philology, Krasnodar (Russia). Vera is academic editor at the Analitika Rodis publishing house and a theatre critic. It will also appear in our summer 2020 (vol. 54, no. 1) issue.
Continue readingThe spring 2020 issue (vol. 53, no. 4) of the Blake Quarterly is now online and open access until the end of April.
Continue readingThe Tate Blake exhibition closed its doors in February and the many works on display are presumably now all safe and sound at their home institutions. At the Blake Quarterly I’ve been consulting the exhibition catalogue and referring to installation photos in the process of laying out Luisa Calè’s review for our upcoming spring 2020 issue.
Continue readingClicking the button that says “Publish” never gets old, and today I did that for our winter 2019-20 issue (vol. 53, no. 3). It will be open access until the end of January.
Continue readingThis memorial note is by Kenneth Gross, who teaches English at the University of Rochester. His books include Spenserian Poetics: Idolatry, Iconoclasm, and Magic; The Dream of the Moving Statue; Shakespeare’s Noise; Shylock Is Shakespeare; and Puppet: An Essay on Uncanny Life. It will also appear in the winter issue of the Blake Quarterly.
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