Knowing how hard it is for me to put together a blog post with a couple of illustrations, I can’t imagine what it would be like to make a film. That’s why I spoke to Matt Wilmshurst, a London- and Sussex-based filmmaker and visual effects artist. He’s the writer and director of Blake in Sussex, currently in production, which promises to tell the tale of the Blakes’ turbulent three years outside London.Continue reading
Behind the scenes the indefatigable members of the Blake Archive are preparing a batch of separate plates for future publication. In general, I would define separate plates as plates not published as illustrations in books, such as “Chaucers Canterbury Pilgrims” and “Albion Rose.” Each plate may have several states, or stages of execution—”Albion Rose” has two, so we’ll publish an impression of each. Each state may exist in several impressions (prints made from that state).Continue reading
This week we published our winter issue (vol. 51, no. 3), which will be completely open access for the next few days. It features the last article in our queue from the late Jerry Bentley, “Rosenbach and Blake,” about the numerous Blake works handled by the dealer A. S. W. Rosenbach in the first half of the twentieth century, many from the collection of W. A. White and many for the collection of Lessing J. Rosenwald (now in the Library of Congress and the National Gallery of Art, Washington, DC).Continue reading
Recently we discovered that Paul Miner, an independent Blake scholar whose work is well known to many of the readers of Blake/An Illustrated Quarterly, passed away earlier this year. Morton Paley noticed that items from Paul’s collection were being offered by a bookseller online, describing him as “late,” and some phone calls confirmed the sad news.Continue reading
Today we have a guest post from Jonathan Morse of the University of Hawai’i at Mānoa. Jon sent us a message asking if we had a use for an image he’d found in the collections of the Library of Congress; his post is the result of that correspondence.
Between January and May 1920, William Butler Yeats toured the United States and Canada under the management of the J. B. Pond Lycaeum Lecture Bureau, addressing audiences on such topics as “The Irish Movement and the Irish Theatre” and “The Younger Generation.” By “the younger generation” he meant contemporary poets. So far as I have been able to learn from the newspaper coverage online at newspapers.com, in the Library of Congress, and in the archives of the student newspapers that covered his appearances at Oberlin and Yale, he never mentioned Blake.Continue reading