Q&A: Exhibition at Petworth House

Our latest Q&A is with Andrew Loukes, curator of collections and exhibitions at Petworth House, about their upcoming Blake exhibition...

Hacking [away at] FOUR ZOAS

As ever and as always, work continues on the Four Zoas. 

Q&A with Dr. Martens and a giveaway

Dr. (Doc) Martens, the footwear/clothing/accessory company, currently has a Blake collection in collaboration with Tate Britain. I asked them...

Publication: Water Color Drawings for Young's NIGHT THOUGHTS

The William Blake Archive is pleased to announce the publication of a digital edition of Blake’s water color drawings...

Blake’s Divisive "Lord’s Prayer" Marginalia

Over the last few weeks, I’ve been working piecemeal on encoding Blake’s marginalia for Robert Thornton’s The Lord’s Prayer,...
Blake Quarterly
Q&A: Exhibition at Petworth House
BAND
Hacking [away at] FOUR ZOAS
Blake Quarterly, Giveaway
Q&A with Dr. Martens and a giveaway
Publications
Publication: Water Color Drawings for Young's NIGHT THOUGHTS
BAND
Blake’s Divisive "Lord’s Prayer" Marginalia
Publications

Publication: Water Color Drawings for Young’s NIGHT THOUGHTS

The William Blake Archive is pleased to announce the publication of a digital edition of Blake’s water color drawings illustrating Edward Young’s The Complaint, and the Consolation; or, Night Thoughts. These 537 designs are a considerable proportion of Blake’s total production as a visual artist. The water colors join two copies of Blake’s engraved illustrations to Edward Young’s Night Thoughts (1797) previously published in the Archive, one uncolored and one with contemporary hand coloring.

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BAND, XML

The Much-Anticipated Receipts Update

The previous occasion upon which we brought to your attention the documentation of Blake’s inimitable and exciting fiscal accounts was in mid-2016, so it’s about time we revisited the manifold problems plaguing the receipts project. The project has been gathering (only a little) dust while we paid attention to more pressing questions raised by the redesign, the Four Zoas display, the marginalia schema, not to mention the terrifying experience of recording tutorial videos! But, finally, the (all new) Receipts Team – comprising the brand new BAND member Emily Tronson, the not-so-new Alex Zawacki and myself – has reconvened and we’ve been trying to compile a list of objectives to guide our attempts to prepare a single, complete BAD with all the receipts in our possession. Here are some (hopefully) interesting thoughts and considerations we’ve come up with:

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BAND

Blake’s Divisive “Lord’s Prayer” Marginalia

Over the last few weeks, I’ve been working piecemeal on encoding Blake’s marginalia for Robert Thornton’s The Lord’s Prayer, Newly Translated (1827), a 10-page pamphlet which gives a new translation of the Lord’s Prayer from the original version in Matthew 6:9-13 and accompanying critical and explanatory notes. Unlike with most of the Blake marginalia pages, which have relatively legible writing —

— deciphering this one was a challenge, and not quite achieved (though I’m hardly alone in failing to do this). The difficulty was largely owing to two features which are not typical of the Blake marginalia in other pages of the Thornton, or in the Watson and Lavater books we’re also working on: it seems to be written in something like smudgy grey pencil, and, at first sight, it seems to consist of one large nebulous mass extending up the right side from the bottom margin. Blake did certainly write his marginal notes all over the margins of his books and sometimes at odd angles to the text on the page:

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Blake Quarterly

Paul Miner

Recently we discovered that Paul Miner, an independent Blake scholar whose work is well known to many of the readers of Blake/An Illustrated Quarterly, passed away earlier this year. Morton Paley noticed that items from Paul’s collection were being offered by a bookseller online, describing him as “late,” and some phone calls confirmed the sad news.

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Publications

Archive Update: Virtual Lightbox

The William Blake Archive is pleased to launch the virtual Lightbox, a major addition to the Archive’s array of digital tools. It replaces an earlier version discontinued in 2013 because of security issues. This entirely new Lightbox has been specially developed for the Archive by Tae Lerch of UNC’s Office of Arts & Sciences Information Services and Michael Fox, the Archive’s assistant editor, who has also implemented many new features in our Reading View and significant improvements to the Archive’s server and to its back end and interface. Together, these new tools and enhancements amount to a relaunching of the Blake Archive.

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